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	<title>Sutirtha Chatterjee</title>
	<link>https://sutirthachatterjee.com</link>
	<description>Sutirtha Chatterjee</description>
	<pubDate>Tue, 17 Mar 2020 17:48:04 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://sutirthachatterjee.com/Home</link>

		<pubDate>Fri, 22 Mar 2019 18:22:11 +0000</pubDate>

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		<title>Caged Bird</title>
				
		<link>https://sutirthachatterjee.com/Caged-Bird</link>

		<pubDate>Fri, 22 Mar 2019 18:22:13 +0000</pubDate>

		<dc:creator>Sutirtha Chatterjee</dc:creator>

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&#60;img width="640" height="480" width_o="640" height_o="480" data-src="https://freight.cargo.site/t/original/i/293b55c97f8429d36f4e73c6a2fbb3b3b4d2f52ab52e7a6a1266ca5089f81e4d/Untitled.gif" data-mid="246144095" border="0"  src="https://freight.cargo.site/w/640/i/293b55c97f8429d36f4e73c6a2fbb3b3b4d2f52ab52e7a6a1266ca5089f81e4d/Untitled.gif" /&#62;

	
‘Who Cares for the Caged Bird?’ offers a reflection on what counts as work in the context of migrant South Asian women&#38;nbsp;who care&#38;nbsp;for loved ones incarcerated in the UAE. This work was researched and written by Chandni Ganesh, the recipient of the ReFrame G3: Genderalities and Work Fellowship grant supported in part by Goethe-Institut / Max Mueller Bhavan, New Delhi. More details HERE.



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		<title>The Sixth Sense</title>
				
		<link>https://sutirthachatterjee.com/The-Sixth-Sense</link>

		<pubDate>Fri, 22 Mar 2019 18:22:13 +0000</pubDate>

		<dc:creator>Sutirtha Chatterjee</dc:creator>

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&#60;img width="5600" height="4000" width_o="5600" height_o="4000" data-src="https://freight.cargo.site/t/original/i/1daec91c562ed26f07afd617f8a3261eef4d4f56c54e3d0549ded7e13592b1a1/DSCF3299.jpg" data-mid="192982212" border="0" alt="Ashraful enacting the role of the &#38;quot;lost boy.&#38;quot;" data-caption="Ashraful enacting the role of the &#38;quot;lost boy.&#38;quot;" src="https://freight.cargo.site/w/1000/i/1daec91c562ed26f07afd617f8a3261eef4d4f56c54e3d0549ded7e13592b1a1/DSCF3299.jpg" /&#62;



In 2017, I began working on stories about blindness in India. Motivated by my colourblindness and the stories I covered as a journalist, I started visiting a school for the visually impaired in Calcutta. Here I met Rima, Ashraful, and Brihaspati, students who came to the city to pursue education from faraway villages of West Bengal.
As our friendships deepened, I started realising how different our lived experiences had been. I could never understand the effects of the stigma and prejudice they faced on a day-to-day basis, especially in their villages. Their dreams, aspirations, and struggles were very different from mine. The dichotomy between the lives I photographed and my own became too pronounced.In the following years, I collaborated with these young learners. Together, we developed a photographic work titled “The Mysterious Forest,” a series of images exploring a fictional story written by Ashraful, inspired by one of his recurring dreams. In this story, a boy loses his way inside a forest and meets a forest spirit and go on adventures together. In the photographic enactment, Ashraful played the role of the lost boy while Rima embodied the character of the forest spirit.The Mysterious Forest captures the fears, hopes, and fantasies of adolescents living with visual disabilities, aiming to facilitate their self-expression, inspire sensitivity, and challenge the stigma and stereotypes surrounding blindness in the region.


	


&#60;img width="1840" height="1232" width_o="1840" height_o="1232" data-src="https://freight.cargo.site/t/original/i/f12b9b64101730c5b678f8447f233d2fe0f681c7ce1336f961d8808b2f1a4fff/DARJE21.JPG" data-mid="192982740" border="0"  src="https://freight.cargo.site/w/1000/i/f12b9b64101730c5b678f8447f233d2fe0f681c7ce1336f961d8808b2f1a4fff/DARJE21.JPG" /&#62;
&#60;img width="2819" height="2114" width_o="2819" height_o="2114" data-src="https://freight.cargo.site/t/original/i/3f72e3ba4585a504c58a9c4b0e8679d2944bf81b65b267c96912362c9cd23a13/010.jpg" data-mid="63774002" border="0" alt="Rima enacting the character of the &#38;quot;forest spirit.&#38;quot;" data-caption="Rima enacting the character of the &#38;quot;forest spirit.&#38;quot;" src="https://freight.cargo.site/w/1000/i/3f72e3ba4585a504c58a9c4b0e8679d2944bf81b65b267c96912362c9cd23a13/010.jpg" /&#62;
&#60;img width="1840" height="1232" width_o="1840" height_o="1232" data-src="https://freight.cargo.site/t/original/i/34dc1e650e2b577e2dca62052da261036287cfd9fc548a88d991f2cc0ca84943/F1020003.JPG" data-mid="192982751" border="0" alt="Photo by Ashraful Molla" data-caption="Photo by Ashraful Molla" src="https://freight.cargo.site/w/1000/i/34dc1e650e2b577e2dca62052da261036287cfd9fc548a88d991f2cc0ca84943/F1020003.JPG" /&#62;
&#60;img width="1840" height="1232" width_o="1840" height_o="1232" data-src="https://freight.cargo.site/t/original/i/e719cc1146278f8fa292fdd40e9b5a7e1682516097cedc96a3c469e61add05e4/35DEC.JPG" data-mid="192982737" border="0" alt="Photo by Asharaful Molla" data-caption="Photo by Asharaful Molla" src="https://freight.cargo.site/w/1000/i/e719cc1146278f8fa292fdd40e9b5a7e1682516097cedc96a3c469e61add05e4/35DEC.JPG" /&#62;
&#60;img width="2819" height="2115" width_o="2819" height_o="2115" data-src="https://freight.cargo.site/t/original/i/5d6d60a1167af0d27fc18175fccaa4fdb723f99cfbfaa54c006df624bcae1b17/011.jpg" data-mid="63774003" border="0" alt="&#38;quot;The lost boy returning home from his adventures with the spirit.&#38;quot;" data-caption="&#38;quot;The lost boy returning home from his adventures with the spirit.&#38;quot;" src="https://freight.cargo.site/w/1000/i/5d6d60a1167af0d27fc18175fccaa4fdb723f99cfbfaa54c006df624bcae1b17/011.jpg" /&#62;
&#60;img width="1840" height="1232" width_o="1840" height_o="1232" data-src="https://freight.cargo.site/t/original/i/b01036537415020e697eedceb6a4f1ed2e946acbe80107636dc05b3fbbb6b1c7/DARJE28.JPG" data-mid="192982741" border="0" alt="Photo by Rima Khatun" data-caption="Photo by Rima Khatun" src="https://freight.cargo.site/w/1000/i/b01036537415020e697eedceb6a4f1ed2e946acbe80107636dc05b3fbbb6b1c7/DARJE28.JPG" /&#62;
&#60;img width="2114" height="2819" width_o="2114" height_o="2819" data-src="https://freight.cargo.site/t/original/i/55bef861a1720a2d13850cfcc3dae5403026c0617cfae393652006a166a08658/008.jpg" data-mid="63773995" border="0" alt="&#38;quot;The forest spirit has a fondness for animals and flowers&#38;quot;" data-caption="&#38;quot;The forest spirit has a fondness for animals and flowers&#38;quot;" src="https://freight.cargo.site/w/1000/i/55bef861a1720a2d13850cfcc3dae5403026c0617cfae393652006a166a08658/008.jpg" /&#62;
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&#60;img width="1800" height="1350" width_o="1800" height_o="1350" data-src="https://freight.cargo.site/t/original/i/e85f160dafdf61d0ceb915b2ae8c2e84fdb4fa817ce7d32a36663463c7a2ddb4/012.jpg" data-mid="192958094" border="0" alt="&#38;quot;The spirt's encounter with the lost boy.&#38;quot;" data-caption="&#38;quot;The spirt's encounter with the lost boy.&#38;quot;" src="https://freight.cargo.site/w/1000/i/e85f160dafdf61d0ceb915b2ae8c2e84fdb4fa817ce7d32a36663463c7a2ddb4/012.jpg" /&#62;
&#60;img width="2053" height="2737" width_o="2053" height_o="2737" data-src="https://freight.cargo.site/t/original/i/d3f33b2c9d086986187b77bffa78c9f84111fd11a3f75f610ffd3f14c80a5e8a/012.jpg" data-mid="63774004" border="0" alt="&#38;quot;The forest spirit in her garden&#38;quot;" data-caption="&#38;quot;The forest spirit in her garden&#38;quot;" src="https://freight.cargo.site/w/1000/i/d3f33b2c9d086986187b77bffa78c9f84111fd11a3f75f610ffd3f14c80a5e8a/012.jpg" /&#62;


					
				
			
		
	


	


	
Over the course of three years, I mentored these young
learners as they made photographs with point-and-shoot film cameras, using their senses of touch, smell, and sound, as well as their familiarity with their surroundings. Later, these images were converted into tactile prints,
making Rima and Ashraful’s work accessible to people living
with visual disabilities, including, of course, their creators.
In December 2019, with the Research and Exploration Grant from the National Geographic Society, we held a four day pop-up
exhibition at their village in
Erenda, West Bengal. Across four days, more than 500
visitors viewed our work and
listened to the students speak
about their experiences. The
exhibition inspired dialogue
about disability in a community
where the disabled are
ostracised.


	
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		<title>A New World</title>
				
		<link>https://sutirthachatterjee.com/A-New-World</link>

		<pubDate>Fri, 22 Mar 2019 18:22:13 +0000</pubDate>

		<dc:creator>Sutirtha Chatterjee</dc:creator>

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	I walk along the boundaries of Rajarhat, one of West Bengal’s newly developed “smart townships.” To my right, I see wide open rice fields stretching out to the horizon, dotted with small clusters of thatched huts. To my left: a cacophony of construction work reverberates and towering skyscrapers gradually disappear into the clouds. 

In 1995, by government order, all of Rajarhat’s water bodies and land, some of the most fertile in the state, were acquired under India’s draconian Land Acquisition Act of 1894. By May 1999, landowners were sent eviction notices and farmers unwilling to accept them were subjected to state intimidation and brutality.
Today, the region is one of West Bengal’s most significant real estate destinations, representing India’s larger story of development. The New World, shaped by listening to the people of Rajarhat’s experiences of fear, loss, hope, and grief, critically examines this narrative. In this series, I reflect on their stories through metaphors depicting the geography’s history of violence, displacement, and gentrification.


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	<item>
		<title>Places Between</title>
				
		<link>https://sutirthachatterjee.com/Places-Between</link>

		<pubDate>Tue, 17 Mar 2020 17:48:04 +0000</pubDate>

		<dc:creator>Sutirtha Chatterjee</dc:creator>

		<guid isPermaLink="true">https://sutirthachatterjee.com/Places-Between</guid>

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	In 2019, I was selected as a participant for the Angkor Photo Festival and Workshops in Siem Reap. During the five days of the workshop, I wanted to take pictures of a place where I didn’t know the rules or the language. Friends who had been there recommended following the river. I rented a bicycle for 2 dollars and ended up in a small village along the vast stretches of a dry riverbed, far from the town.&#38;nbsp;In the following days, I kept returning to this area between Chreav and Tonle Sap, an agrarian region known for its rice production and fisheries, also a meeting point for religions and communities.

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